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Not Guilty

Written By Friday, March 18, 2022 Add Comment Edit

Song by George Harrison

"Not Guilty"
Vocal by George Harrison
from the album George Harrison
Released 20 February 1979 (1979-02-20)
Recorded April–Oct 1978
Genre Jazz-pop
Length 3:35
Label Night Horse
Songwriter(southward) George Harrison
Producer(south) George Harrison, Russ Titelman
George Harrison track list

ten tracks

Side ane
  1. "Love Comes to Everyone"
  2. "Non Guilty"
  3. "Here Comes the Moon"
  4. "Soft-Hearted Hana"
  5. "Blow Away"
Side two
  2. "Faster"
  3. "Nighttime Sweet Lady"
  4. "Your Dear Is Forever"
  5. "Soft Impact"
  6. "If You lot Believe"
"Not Guilty"
Song by the Beatles
from the anthology Anthology iii
Released 28 October 1996 (1996-x-28)
Recorded eight–9, 12 Baronial 1968
Genre Rock
Length 3:22
Label Apple
Songwriter(due south) George Harrison
Producer(southward) George Martin

"Not Guilty" is a vocal by English rock musician George Harrison from his 1979 album George Harrison. He wrote the song in 1968 following the Beatles' Transcendental Meditation grade in Republic of india with Maharishi Mahesh Yogi, an activity that he had led the group in undertaking. The lyrics serve as a response to the recrimination Harrison received from his bandmates John Lennon and Paul McCartney in the aftermath to the group's public falling out with the Maharishi, and as the Beatles launched their multimedia company Apple tree Corps. The band recorded the song amidst the tensions that characterised the sessions for their 1968 double LP The Beatles (also known every bit the "White Anthology"). The track was completed in August 1968 but not included on the release.

Harrison revisited "Non Guilty" in early 1978, shortly subsequently participating in the Rutles' television satire of the Beatles' history, All You lot Need Is Cash. In contrast to the atmosphere surrounding the song's cosmos, this menstruation was one of personal contentment for Harrison, who enjoyed the opportunity to debunk the myths surrounding his old band. The musical system similarly differs in mood from the 1968 version; where the latter features distorted electric guitars and harpsichord, Harrison's version reflects his adoption of a mellow jazz-popular style. The other musicians on the recording include Neil Larsen and Willie Weeks.

"Not Guilty" was known to be a Beatles outtake but the song was unheard past the public until the release of Harrison's 1979 album. The Beatles' version continued to be the subject of speculation among collectors. An edit of the band's recording was prepared for the aborted Sessions anthology in 1984 and became bachelor on bootlegs before its official release on the Beatles' Anthology 3 outtakes compilation in 1996. The total version of the track, together with Harrison's May 1968 demo of the song, appears on the 50th Anniversary Edition box-set release of The Beatles.

Background and inspiration [edit]

View of Rishikesh and the Ganges. When writing "Not Guilty", Harrison addressed the divisive atmosphere within the Beatles post-obit their return from India in 1968.

George Harrison wrote "Not Guilty" in 1968 following the Beatles' highly publicised spiritual retreat in Rishikesh, Bharat, where they studied Transcendental Meditation under Maharishi Mahesh Yogi.[1] Harrison had led the Beatles' interest in meditation and Indian civilization,[2] influencing their audience and musical peers,[3] [4] simply the band's falling out with the Maharishi in Apr 1968 became the source of public embarrassment.[v] Ringo Starr and Paul McCartney had each left the ashram early and returned to England, with McCartney more interested in attention to the band'southward new Apple Corps business organisation venture.[6] Harrison and John Lennon stayed on, merely to then depart hurriedly after hearing of alleged impropriety between the Maharishi and a female student.[7] The Rishikesh sojourn was the Beatles' last extracurricular activity as a grouping[8] [ix] and was followed by a divergence of opinion betwixt Lennon, McCartney and Harrison that lasted until the band's break-upward in April 1970.[x] In his 1980 autobiography, I, Me, Mine, Harrison says that "Not Guilty" addresses "Paul-John-Apple-Rishikesh-Indian friends, etc."[11]

Rather than return to England with Lennon, Harrison extended his fourth dimension away past visiting his mentor Ravi Shankar in Madras.[12] When he returned to London in late April,[13] co-ordinate to Apple tree press officer Derek Taylor, Harrison "reacted with real horror" at the extravagance of Apple's operation.[14] [15] The company had taken out print advertisements inviting whatever budding creative person to submit their artistic ideas.[13] [16] The London offices were inundated with submissions, almost all of which were ignored,[13] [17] forth with crowds of eccentrics responding to the Beatles' invitation.[18] [nb i] In a 1987 interview with Timothy White for Musician magazine,[21] Harrison referred to "the grief I was catching" from Lennon and McCartney post-India. He explained the message behind the song: "I said I wasn't guilty of getting in the way of their career. I said I wasn't guilty of leading them astray in our going to Rishikesh to see the Maharishi. I was sticking upwards for myself …"[22] [23]

The Rishikesh sojourn besides resulted in Harrison's emergence equally a prolific songwriter.[24] [25] "Not Guilty" was one of several guitar-based compositions from this period, coinciding with Harrison'southward re-date with his main instrument after two years of dedicated sitar study under Shankar.[25] [26] The full extent of this productivity was hidden until his 1970 solo album, All Things Must Pass, notwithstanding,[27] [28] as Lennon and McCartney connected to dominate the Beatles' songwriting.[29] [30] In writer Peter Doggett'southward description, the band'south stay in Rishikesh marked the end of a period when Harrison'due south championing of Indian civilisation had guided the Beatles' musical and philosophical direction. He adds that the "former balance of power was uneasily resumed", as Harrison had to push to have his songs included on the group's albums, and Lennon, further to their self-produced 1967 TV film Magical Mystery Tour, continued to resent McCartney's attempts to manage their career.[31]

Composition [edit]

The key of "Not Guilty" is E pocket-size.[32] It contains combined verse and choruses;[33] each of the three verse-chorus sections begins and ends with the song's title phrase.[34] The limerick includes a guitar riff that author Alan Clayson views every bit distinctive and "depression-down", and closes with an instrumental coda.[35] It also features syncopation,[35] one-half-bars, and, on the Beatles recording, a guitar solo followed by a modify in fourth dimension signature from 4/4 to six bars in 3/8.[36]

Musicologist Walter Everett highlights the song's musical form as an instance of "the composer'south typically outlandish chord juxtapositions", which in this case reveals "a new level of sophistication like to jazz methodology". He says that while E modest is the main cardinal, A pocket-size is tonicised in the start of the verses and is further suggested with a surprising M–Dm8–Dm7–E7 chord sequence. Following the final chord in that sequence, he hears the Gm chord as "confident and loudly protesting", and contextually derived via an "unprecedented use of mixture from the Phrygian style (thus the chord's B ♭ [note]) into A pentatonic minor".[33] [nb 2]

"Not Guilty" follows Harrison's 1967 vocal "Only a Northern Song" every bit a statement of his dissatisfaction in the Beatles.[37] Everett describes the lyrics every bit a "defense against the tyranny of his songwriting comrades".[38] Harrison refers to his bandmates every bit seeking to "steal the 24-hour interval"; he recognises his place and vows not to "[get] underneath your feet".[37] In the third verse, he promises not to "upset the Apple cart", as "I but want what I can get".[39] With regard to Rishikesh and the Maharishi, he denies any responsibility for the others' disappointment with the experience.[40] He denies leading the group "astray on the road to Mandalay"[forty] and "making friends with every Sikh".[41]

Beatles version [edit]

Esher demo [edit]

In May 1968, Harrison taped an audio-visual demo of the song at his domicile, Kinfauns in Esher.[42] This and other demos of the band's new material were part of their grooming for recording the double LP The Beatles, also known equally the "White Album".[43] [44] On the tapes, the vocal follows a grouping functioning of Harrison'south tribute to meditation, "Sour Milk Ocean", after which he refers to "Non Guilty" as "a jazz number" that would make "a good rocker".[45] Having long been available on bootleg compilations, the Esher demo was issued in 2018 on the White Album's 50th Ceremony box ready.[46] [47]

Studio recording [edit]

Bones track [edit]

The Beatles recorded "Non Guilty" at EMI Studios (now Abbey Route Studios) in London in August 1968.[48] The recording was produced past George Martin and engineered by Ken Scott.[49] The vocal was difficult to learn due to its fourth dimension signature changes.[50] During the start xviii takes on vii August, the band focused just on the introduction, earlier going on to record a further 27 takes that night. On 8 Baronial, they first attended to a technical problem on the recording of their forthcoming single, "Hey Jude", and so resumed work on "Not Guilty".[51] The group recorded a total of 101 takes over the two sessions, although merely 21 of these attempts were consummate performances, earlier settling on take 99 as a satisfactory basic track.[51]

Initial takes included keyboard accompaniment from an electrical piano,[52] but this was replaced past a harpsichord for the viii Baronial session.[50] The instruments used on the bones track were therefore electric guitar, harpsichord, bass and drums.[51] Although author Ian MacDonald says Harrison or Lennon played the harpsichord part,[50] Everett credits Lennon, who also played the instrument on "All Y'all Need Is Honey" the previous year.[53] [nb three] The recording marked the showtime time that Harrison used his Gibson Les Paul guitar known every bit "Lucy", which was a gift from his friend Eric Clapton.[56]

Overdubs [edit]

The band recorded overdubs onto take 99 on 9 August,[57] with Starr adding further drums and McCartney augmenting his bass part.[51] Much of the six-and-a-half-hour session was defended to Harrison's lead guitar role; for this, he chose to play in the control room while his amplifier was recorded in an echo chamber.[51] On 12 August, Harrison overdubbed his pb vocal, trying dissimilar areas of the studio in an effort to achieve the sound he was later. He again settled on the control room[52] with, in Scott'due south description, "everything coming back through the speakers to requite it more of a alive theater-type feel or club feel".[58] Lennon and McCartney experimented with harmony vocals on some parts of the vocal, just Harrison was unsatisfied.[52] Scott told announcer Marshall Terrill in 2012 that the recording was problematic considering "George wasn't feeling it. It was his song and he wasn't feeling it. He could not get a vocal that he was happy with. He couldn't get even into sort of the mood of singing information technology, that's why we tried different ways of him singing it …"[58] [nb 4]

Harrison then spent more than time recording guitar at live operation levels. A mono mix, titled RM1, of the completed track was carried out that aforementioned day.[52] [sixty] In the description of Guitar World 's editors, Harrison's playing on the vocal has a "sinewy" quality and a "sizzling tone" made more effective by existence performed at total volume.[61] Author Simon Leng writes that the recording "might have passed for grunge", with its "phased vocals and ... pseudo-harpsichord under set on from George's heavily distorted guitars and fierce riff". He adds that the lead guitar is "spiky-rough in a way Harrison would rarely approach again".[62] Following his pioneering backwards-recorded guitar solo on "I'm Only Sleeping", in 1966,[63] Harrison'south utilize of reverse repeat-sleeping room effect on "Not Guilty" marked the concluding time the Beatles used backwards audio on one of their recordings.[64]

MacDonald cites "Not Guilty" as an example of how Harrison'southward contributions to the White Anthology were "stymied" past the divisive atmosphere that characterised the sessions, which included a lack of collaboration between the band members.[65] After Harrison departed for a short holiday in Greece,[66] the other Beatles resumed recording on 20 August with tensions running loftier;[67] Lennon and Starr completed overdubs on "Yer Dejection" in ane studio while McCartney recorded "Mother Nature's Son" alone in another.[68] Two days later on, by which point Harrison had returned to London, the acrimony that had been building inside the group led to Starr walking out, intent on quitting the Beatles.[69] [seventy]

Exclusion from the White Album [edit]

Co-ordinate to Everett, "Non Guilty" was one of the concluding songs to exist cutting from the terminal running order of The Beatles.[39] When announcing the release on 26 October, the NME listed "Non Guilty" among the possible tracks;[71] Mal Evans, the Beatles' longtime aide, then wrote in the band's official fan magazine that it would non appear on the double album.[72] Lennon admired the composition initially,[35] but in Leng's view, with its "barbs about the Beatles", the song "was just a little too candid in airing the band'south dirty laundry".[37] [nb v] Music announcer Mikal Gilmore similarly says that its exclusion was "perhaps because it was apparent to everybody that Harrison had aimed the song at Lennon and McCartney".[77]

In its three-part study of the 1968 double album, in 2008, Goldmine magazine commented that the song'due south exclusion has long been one of the points of fence regarding the White Anthology. The writers said that some listeners find the content of the ready "exquisitely balanced", while others contend that the Beatles "really should have added 'Not Guilty' to the brew".[78] Increasingly marginalised from the Beatles' creative decision-making in 1968,[79] Martin had favoured dent downwardly the double LP to a single disc.[80] [81] Everett offers a xv-song running lodge in keeping with the producer's typical "preferences and constraints", in which he contends that Martin would have selected "Not Guilty", forth with the Harrison compositions "While My Guitar Gently Weeps" and "Long, Long, Long".[82]

The final take, numbered 102 (a reduction mix of take 99),[51] was edited and remixed by Geoff Emerick in 1984 for the aborted Sessions anthology.[83] [84] After Harrison and McCartney filed affidavits criticising the "quality of the piece of work", ane of EMI's in-business firm cassettes of the Sessions recordings found its way to bootleggers, resulting in the Ultra Rare Trax bootlegs.[85] "Not Guilty" appeared on the tertiary volume in the Ultra Rare Trax serial.[86] It was officially released on Apple's outtakes compilation Anthology three in October 1996.[50] Author and critic Richie Unterberger describes the Anthology 3 version of "Not Guilty" as a "bastardization" due to the editing out of a mid-song guitar solo and other features from the 1968 stereo mix. He adds that this treatment is "more than roundly castigated than almost any other of the Anthology reconstructions".[87] [nb six] The unedited version of the track appears on the 50th Anniversary box prepare of the White Album.[89]

George Harrison recording [edit]

According to author Robert Rodriguez, "Not Guilty" was "much-fabulous" among Beatles fans by the late 1970s, since the song was known as a White Album outtake only had never been heard publicly.[90] [nb 7] In their respective books on the Beatles published at that time, Nicholas Schaffner paired it with Lennon's "What'due south the New Mary Jane" equally completed recordings that were known to have been left off the White Anthology,[92] while Harry Castleman and Walter Podrazik wrote that, every bit far as collectors were aware, Harrison had taped "Not Guilty" with Clapton in summertime 1968 before the Beatles attempted to record the song in March 1969.[93]

Drawing illustration of the Rutles. Harrison returned to "Not Guilty" having enjoyed participating in the Rutles' satirical moving-picture show on the Beatles' history, All You Need Is Cash.

In early 1978, while gathering song manuscripts for I, Me, Mine,[94] Harrison rediscovered his Kinfauns demo of "Non Guilty".[41] He decided to record the song again for what became his 1979 anthology George Harrison.[95] At this fourth dimension, he also revisited "Circles",[96] another vocal he had demoed in Esher before the Beatles began recording the White Anthology,[97] and he wrote "Here Comes the Moon" as a sequel to his 1969 Abbey Road limerick "Here Comes the Sun".[98]

The sessions took place between April and October 1978,[99] [100] [nb eight] and coincided with a period of domestic contentment for Harrison,[102] during which he married his partner Olivia Arias and become a father for the showtime time, to son Dhani.[103] [104] In improver, Harrison had enjoyed participating in the Rutles' recent spoof of the Beatles' history, All You Need Is Cash, a picture project that immune him to debunk the myths that surrounded his former band.[105] [106] [nb 9] Harrison allowed his spiritual preoccupations to be satirised in the film as, post-obit the Rutles' break-up, his grapheme, Stig O'Hara, withdraws from the limelight to become a female flight attendant with Air India.[109] Edifice on his reputation as the "Tranquility Beatle", the identity of the alleged dead band member in the Paul is dead conspiracy theory was transferred to Stig,[110] as the clues include the fact that he had not spoken since 1966.[111] [nb x]

Harrison recorded "Non Guilty" at his home studio, FPSHOT, in Henley, Oxfordshire,[95] [96] with Neil Larsen, Stevie Winwood, Willie Weeks and Andy Newmark amid the bankroll musicians.[113] Larsen played Rhodes piano,[114] which serves as the main feature of the track,[33] while Harrison exchanged the electric guitar arrangement from 1968 with acoustic parts.[115] [62] The recording besides omits the department in 3/viii time, which had caused difficulty during the Beatles' attempts 10 years before.[65] Its mellow jazz arrangement ends with interplay betwixt Harrison'southward scat singing and Weeks'south bass.[115] George Harrison was scheduled for release in Dec but an issue with the artwork delayed the process.[100] On xv Dec, Harrison accompanied Starr to the re-opening of the Star-Club in Hamburg,[116] [117] where the Beatles had regularly performed before achieving fame in 1963.[118]

Harrison produced the track with Russ Titelman, a Warner Bros. Records staff producer whose other projects included the self-titled debut album by Rickie Lee Jones.[119] [120] Leng views Harrison'south remake as typical of the singer's frame of listen on George Harrison, writing: "In complete contrast [to the Beatles' version], the 1979 reproduction is all shimmering cool and acoustic body of water spray – here is a homo looking back on events rather than being defenseless up in their heat."[62] Leng describes the musical mood on the track every bit "a loose version of the Rickie Lee Jones or Paul Simon jazz-pop audio, dominated past phased electrical piano and breathy vocals".[62]

Release and reception [edit]

We recorded it [in 1968] just we didn't get information technology down right or something ... The lyrics are a bit pass̩ Рall well-nigh upsetting "Apple carts" and stuff Рbut it's a scrap about what was happening at the time ... the Maharishi and going to the Himalayas and all that was said about that. I like the melody a lot; it would make a great tune for Peggy Lee or someone.[121]

– George Harrison to Rolling Stone, 1979

George Harrison was released on Dark Equus caballus Records on 20 February 1979.[122] "Not Guilty" appeared as the second track, sequenced betwixt with "Love Comes to Anybody" and "Hither Comes the Moon".[123] The song was of detail interest to Harrison's audience, due to its reputation as a lost Beatles rail.[ninety] Harrison carried out express promotion for the album,[104] during which the speculation surrounding a possible Beatles reunion was a regular theme put forwards by members of the media.[124] At his press conference in Los Angeles, he suggested the quondam bandmates could meet for a loving cup of tea and televise the proceedings via satellite.[125] [126] He besides denied that "Not Guilty" was aimed purely at McCartney, saying: "No, it's just virtually that menstruum in 1968 ... in that location's a lot of comedy in it. You merely have to look for it."[127] [nb 11]

Peter Doggett writes that, in the context of its release, 11 years after the events of 1968, the vocal "gently satirised the global obsession with the past, and specifically the era that the Beatles allegedly epitomised".[130] Doggett adds that although Harrison distanced himself from Beatles nostalgia in his promotional activities, he shared the public's interest in what Lennon might be doing during the latter's quaternary year as a house-husband and stay-at-home father.[131] In his Rolling Stone interview at this time, Harrison commented that he had not seen Lennon in the final two years and, after the recent changes in his ain life, he understood his former bandmate'southward determination to remain out of the limelight.[132] [nb 12]

The album received favourable reviews,[90] particularly in the Uk, where it was Harrison'southward best-received work since the early 1970s.[134] [135] Harry George of the NME welcomed the inclusion of "Not Guilty", saying "No Beatle who could take part in All Yous Need Is Cash can be all bad", and assumed that the reference to upsetting the "Apple cart" was a line from the Rutles.[nb 13] He described the song as a "tense soft-shoe shuffle", highlighting Larsen'due south electric piano, Weeks'southward "serpentine bass", and Harrison lyrics that offered "wit and sophistication" rather than "the whining defensiveness of yore".[137] Writing in Tune Maker in 1979, East.J. Thribb also approved of Harrison's openness to being the target of Eric Idle's satire in the Rutles moving picture. He named "Not Guilty" among the album'south three most enjoyable songs, forth with "Beloved Comes to Anybody" and "Blow Away", saying: "The chords curl and tumble, the melodies are skillful to dirge, and the lyrics are simple just tell their story."[138] [139]

Personnel [edit]

Beatles version [edit]

Co-ordinate to Walter Everett:[140]

  • George Harrison – vocals, lead and rhythm guitars
  • John Lennon – harpsichord
  • Paul McCartney – bass
  • Ringo Starr – drums

George Harrison version [edit]

Co-ordinate to Simon Leng:[141]

  • George Harrison – vocals, acoustic guitars
  • Neil Larsen – electrical pianoforte
  • Steve Winwood – keyboards
  • Willie Weeks – bass
  • Andy Newmark – drums
  • Ray Cooper – conga

Notes [edit]

  1. ^ Lennon and McCartney added to the chaos by repeating their offer on American boob tube in May.[19] Co-ordinate to Harrison in an interview belatedly that twelvemonth, Lennon and McCartney best-selling that this method of promoting the company had been a bad idea.[20]
  2. ^ Everett concludes that the vocal would almost likely have impressed European composers Hugo Wolf and Max Reger.[33]
  3. ^ In his written report of the Beatles' recordings, John Winn says the harpsichord was "probably" played by Chris Thomas,[52] Martin's understudy.[54] In a 2018 interview, Thomas recalls playing harpsichord on Harrison's "Piggies", amidst several keyboard contributions he made to the White Anthology from September 1968 onwards; when asked virtually "Not Guilty", he states that he did non play on the song.[55]
  4. ^ The unusual setting for Harrison's vocal overdub inspired Lennon to suggest the band record their next song, "Yer Dejection", in the tiny room off from the studio control room.[59]
  5. ^ The bug in Apple tree Corps' design were already evident to the public,[73] since the ring had closed their Apple Boutique in belatedly July and had given abroad all the stock.[74] [75] In the early hours of 8 August, following the first session for "Non Guilty", McCartney and his girlfriend had written the titles of "Hey Jude" and "Revolution" on the whitewashed windows of the empty shop,[48] to promote the Beatles' adjacent single.[76]
  6. ^ Beatles writer John Winn also criticises Emerick's work, describing it as a "mangled mix" with inconsistent sound and several "superfluous edits".[88]
  7. ^ As a issue, some bootleg compilers had taken "Frenzy and Baloney", a track that Harrison produced for Shankar'south Raga soundtrack anthology in 1971,[91] and retitled information technology "Not Guilty" for inclusion on collections of the Beatles' rare recordings.[ninety]
  8. ^ In I, Me Mine, Harrison'due south handwritten lyrics for the vocal are reproduced on Nighttime Equus caballus Records notepaper and dated May 1978.[101]
  9. ^ Likewise as appearing briefly in the idiot box film, Harrison acted as a consultant to its creators, Neil Innes and Eric Idle.[106] [107] He also supplied them with archival footage from the Beatles' long-planned documentary project,[108] which somewhen aired equally The Beatles Anthology in 1995.[109]
  10. ^ The film as well sends upwards Apple's chaotic functioning.[76] In one scene, employees pillage the Rutle Corps headquarters while the visitor'southward printing agent is interviewed by a reporter, played by Harrison.[112]
  11. ^ In an interview he gave to Rolling Rock to promote the anthology, in February, Harrison mentioned he had spent the morning in a London recording studio with McCartney, but he was quick to add together that information technology was merely a social coming together.[128] Mick Chocolate-brown, the magazine's writer, said the chances of a "musical realignment" betwixt the four onetime Beatles was "as unlikely as Richard Nixon regaining the presidency".[121] [129]
  12. ^ Harrison said that the pair kept in touch with postcards and, alluding to the Rutles, "tapping on the table".[133] He added: "Just I myself would be interested to know whether John still writes tunes and puts them on a cassette, or does he just forget about music and not bear on the guitar. Because that'due south what I did, all of 1977 ... And I didn't miss it."[132]
  13. ^ When asked in a 2001 online Q&A how the Rutles had "influenced your career", Harrison responded: "I got all my ideas from the Rutles! Specially, the 12-cord Rickenbacker and slide guitar styles I got from Stig O'Hara."[136]

References [edit]

  1. ^ Greene 2006, pp. 99–100.
  2. ^ Tillery 2011, pp. 151–52.
  3. ^ The Editors of Rolling Rock 2002, pp. 34–37.
  4. ^ Lavezzoli 2006, p. 180.
  5. ^ Paytress, Mark. "A Passage to India". In: Mojo Special Limited Edition 2003, p. 12.
  6. ^ Tillery 2011, pp. 64–65.
  7. ^ Woffinden 1981, p. 4.
  8. ^ Greene 2006, p. 100.
  9. ^ Gould 2007, pp. 468–69.
  10. ^ Schaffner 1978, p. 89.
  11. ^ Harrison 2002, p. 138.
  12. ^ Tillery 2011, p. 65.
  13. ^ a b c Miles 2001, p. 296.
  14. ^ Doggett 2011, p. 35.
  15. ^ Clayson 2003, pp. 236–37.
  16. ^ Schaffner 1978, pp. 101, 103.
  17. ^ Winn 2009, p. 145.
  18. ^ Schaffner 1978, p. 103.
  19. ^ Miles 1997, p. 560. sfn error: no target: CITEREFMiles1997 (help)
  20. ^ "George Harrison on business & The Beatles, 1969: CBC Archives". CBC Archives at YouTube. 21 December 2011. Archived from the original on 21 Dec 2021. Retrieved 1 November 2018.
  21. ^ White, Timothy (November 1987). "George Harrison – Reconsidered". Musician. p. 55.
  22. ^ Huntley 2006, p. 165.
  23. ^ Harry 2003, p. 286.
  24. ^ Greene 2006, p. 99.
  25. ^ a b Leng 2006, p. 34.
  26. ^ Lavezzoli 2006, p. 185.
  27. ^ Everett 1999, p. 199.
  28. ^ Lavezzoli 2006, p. 186.
  29. ^ The Editors of Rolling Stone 2002, pp. 39–xl, 187.
  30. ^ Rodriguez 2010, p. 147.
  31. ^ Doggett, Peter. "Fight to the Finish". In: Mojo Special Limited Edition 2003, pp. 136–37.
  32. ^ MacDonald 1998, p. 452.
  33. ^ a b c d Everett 1999, p. 203.
  34. ^ Harrison 2002, pp. 139–40.
  35. ^ a b c Clayson 2003, p. 253.
  36. ^ MacDonald 1998, pp. 266, 267.
  37. ^ a b c Leng 2006, p. 38.
  38. ^ Everett 1999, p. 233.
  39. ^ a b Everett 1999, p. 202.
  40. ^ a b Gould 2007, p. 468.
  41. ^ a b Kahn 2020, p. 280.
  42. ^ Winn 2009, p. 169.
  43. ^ Unterberger 2006, pp. 195, 198.
  44. ^ Quantick 2002, pp. 23, 110.
  45. ^ Winn 2009, p. 170.
  46. ^ Fricke, David (8 November 2018). "'The Beatles (White Album) Super Deluxe' Is a Revelatory Dive into Their Frayed Late-Sixties Drama". Rolling Rock . Retrieved 3 June 2021.
  47. ^ Ives, Brian (27 September 2018). "How the Beatles' 'Esher Demos' Heighten the White Album". Ultimate Classic Rock . Retrieved 6 June 2021.
  48. ^ a b Miles 2001, pp. 305–06.
  49. ^ Lewisohn 2005, pp. 147–48.
  50. ^ a b c d MacDonald 1998, p. 266.
  51. ^ a b c d e f Lewisohn 2005, p. 147.
  52. ^ a b c d e Winn 2009, p. 199.
  53. ^ Everett 1999, pp. 125, 202.
  54. ^ Lewisohn 2005, p. 135.
  55. ^ Rodriguez, Robert (25 December 2018). "154: It's Chris T(ho)mas Time!" (Podcast). somethingaboutthebeatles.com. Event occurs at sixteen:12–25:25. Retrieved 27 Apr 2019.
  56. ^ Babiuk 2002, p. 224.
  57. ^ Winn 2009, p. 198.
  58. ^ a b Terrill, Marshall (25 July 2012). "Beatles' recording engineer Ken Scott reveals backside the scenes details on working with The Fab Four". Daytrippin' . Retrieved eleven March 2018.
  59. ^ Lewisohn 2005, p. 148.
  60. ^ Unterberger 2006, pp. 209–10.
  61. ^ Scapelliti, Christopher; Fanelli, Damian; Brownish, Jimmy (half-dozen July 2015). "The Fab 50: The Beatles' l Greatest Guitar Moments" > "29. Not Guilty". Guitar World. Archived from the original on 19 November 2019. Retrieved 28 April 2020.
  62. ^ a b c d Leng 2006, p. 203.
  63. ^ Brend 2005, p. 56.
  64. ^ Ryan & Kehew 2006, p. 490.
  65. ^ a b MacDonald 1998, p. 267.
  66. ^ Lewisohn 2005, p. 150.
  67. ^ Miles 2001, pp. 306–07.
  68. ^ Quantick 2002, p. 27.
  69. ^ Lewisohn 2005, pp. 150–51.
  70. ^ MacDonald 1998, p. 271.
  71. ^ NME staff (26 October 1968). "Beatles Double Anthology Tracks & Cost". NME. pp. 12–13.
  72. ^ Babiuk 2002, pp. 224–25.
  73. ^ Schaffner 1978, p. 95.
  74. ^ Everett 1999, p. 160.
  75. ^ Babiuk 2002, p. 227.
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External links [edit]

  • George Harrison – "Not Guilty" (Remastered 2004) on YouTube

sheltontaintimand1972.blogspot.com

Source: https://en.wikipedia.org/wiki/Not_Guilty_%28song%29

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